I've been
painting walls. One stroke of the roller saturated with apricot-cream, and the
wear and tear of the past fourteen years vanishes.
And I
wish it was that easy.
I have
built a wall. Well, not one. It feels like four walls with a tiny back door
closed against what hurts. So why do I keep finding them like dust bunnies
gathered in the corners of my space? I built this wall to keep them out. On the
other side.
"What
are they doing in here?" I ask myself. "How did they get in?" I
puzzle over that, roller poised and dripping, knowing that covering a dingy
wall with a fresh coat isn't the answer. "Do the walls need to come down?
Should I be swinging a demolition ball, not holding a paint roller?" I
consider this, and conclude, "No."
For all
the wonder of life, life is wounding. Protection is wise. Freedom is necessary.
Balancing
on the top step of my ladder, I stretch the roller toward the top of the wall
and glide it carefully along the ceiling seam. Life. Wounds. Protection.
Freedom. And somehow in the upward reach because apricot-cream is more
desirable than what was there, I think about another upward reach. Not for
something called apricot-cream, but another fruit. In the garden. Why were they
reaching? Was it because they were being wounded? Darted with doubt and
daggered with discontent...and they forgot about all they had to be thankful
for?
And ever since Eden we've been reaching.
At the
top of the ladder I wonder about my wall. Not the one I'm painting, but the
other one. What if I remembered to be thankful in all things when I first heard
the dart hissing toward me like a snake's tongue; felt the dagger bite? What if
I looked at the situation, couldn't find a reason compelling enough to say
"thank you,"... but looked at God, and did? Well, the bite would have
been nothing more. Just a snake bite that felt like a dagger. But they didn't
remember this in the garden, and neither do I.
The bite
festers for lack of thanksgiving. And weeps. It weeps with resentment, anger,
bitterness, discontent. These are the real wounds. They didn't get in through
the back door. They got in through discontentment that was already there. And
the wall that goes up keeps it all in, not out. A wall of wounds is no
protection for the wounded. But the way to stop hurting is to start saying,
"thank you." This stops the weeping.
I stand
back to admire the freshly painted wall in front of me and start thanking God
and saying, "Help" at the same time. I kneel on the splattered
painter's cloth, an old bath towel. I hold the roller out over it and offer it
to Jesus... a silent faith plea. I want Him to
take the roller and soak it in the tray until it's dripping glory heavy
with jasper-stone-clear-as-crystal. No egg-shell gloss, but the
Lamb-is-it's-light shine. And I want Him to raise that roller and erase the
marks and scuffs, the bruises and holes...the
weeping...
...in one brilliant stroke.
I look up
at the ceiling, not the one with a smudge of apricot-cream on it, but the one
smudged with swirling galaxies. A brilliant stroke I'm held beneath. Covered. A
hint of His glory. And the variegated atmospheric walls sometimes clear as
crystal, sometimes opaque with humid air, sometimes shimmering with liquid
diamonds falling from a quarry of clouds, or dancing with wind...a great and
high wall, keeping me on this earth. Adorned.
And I'm
on my knees. My t-shirt is smudged with paint. But what's that I hear?
"You
are My bride. I am Your wall."
Yes, I
heard it in the whispery sound that a saturated roller makes.
I'm soaking my roller with thanksgiving today.
written by: Carolyn Roehrig
No comments:
Post a Comment